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radio_art [2018/11/04 17:17] – julien | radio_art [2025/03/24 18:05] (current) – julien | ||
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+ | ====== RADIO ART PROJECT SINCE 1993 ====== | ||
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+ | LISTEN LIVE RADIO NOW: | ||
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+ | [[http:// | ||
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+ | [[http:// | ||
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+ | [[http:// | ||
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+ | [[http:// | ||
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+ | ===== History: ===== | ||
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+ | -1993 to 1995: radio shows at libre radio Beton (Tours) | ||
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+ | -1996 to 2001: radio shows and radio experimentations (radio art) at JetFm and Alternantes | ||
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+ | -2002 to 2006 : Radio interventions in different projects with Cellule d' | ||
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+ | -2006 to 2018 : numbers of performances / compositions / installations for radio (web, airwaves, pirate, free, libre, hacked...) | ||
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+ | ===== Selected works: ===== | ||
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+ | ==== B.A.R.G. - Brouillge Anti-Radio Group (2015 - 2018) ==== | ||
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+ | pirate radio, brouillage and multiple transmissions live on air waves and streaming | ||
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+ | < | ||
+ | <iframe width=" | ||
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+ | {{: | ||
+ | {{: | ||
+ | {{: | ||
+ | {{: | ||
+ | {{: | ||
+ | {{: | ||
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+ | ==== INTERNATIONAL RADIOBOT PROGRAM - JULIEN OTTAVI / APO33 (2011) ==== | ||
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+ | {{cc1: | ||
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+ | === MANIFESTO ONE : === | ||
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+ | RADIO IS THE MEDIUM | ||
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+ | RADIO IS A SCORE | ||
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+ | TRANSMISSION IS THE INSTRUMENT | ||
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+ | RECEIVERS ARE THE AGENTS | ||
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+ | RADIOBOT BRING LOST DISRUPTION IN THE WAVES | ||
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+ | RADIOBOT TRANSPORT TIME OUTSIDE TIME | ||
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+ | RADIOBOT IS TRYING TO BE AUTONOMOUS | ||
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+ | RADIOBOT BELONG TO RADIOBOT | ||
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+ | RADIOBOT IS LIBRE | ||
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+ | RADIO IS COPYLEFT | ||
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+ | __RADIOBOT OBJECTIVES ARE :__ | ||
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+ | -HACK YOUR EARS | ||
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+ | -DEHUMANIZE THE AIRWAVES | ||
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+ | -FREE YOUR RADIO | ||
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+ | -MUST DISPEAR WITHIN RADIO FAILURE | ||
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+ | === SCORE TO PLAY RADIOBOT : === | ||
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+ | **PLAYERS :** | ||
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+ | MINIMUM REQUIREMENT TO START YOUR BOT IS | ||
+ | COMPUTER / GNULINUX / PUREDATA / VNCVIEWER | ||
+ | MIXER / MICROPHONES / CONTACT MIC | ||
+ | INTERNET | ||
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+ | CREATE AUTOMATION SYSTEM OR ASK FOR PRE-PROGRAMED PATCH | ||
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+ | CREATE AN AUDIOZONE AS A SOUNDTRAP OR AS FEEDBACK SPIRAL | ||
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+ | CONNECT A STREAM AS MINIMUM 128Kb/s TO APO33 STREAMING SERVER, TRANSMITTING THE OUTPUT OF YOUR AUTOMATION PATCH | ||
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+ | **USERS :** | ||
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+ | THE AUDIENCE COULD ALSO BE INVOLVED AS USERS | ||
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+ | TO BE USERS, YOU WILL NEED A COMPUTER, INTERNET CONNECTION AND A RADIO RECEIVER | ||
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+ | DOWNLOAD PROGRAM TO PLAY RADIO | ||
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+ | FOLLOW THE INSTRUCTIONS | ||
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+ | PLAY THE PROGRAM | ||
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+ | LISTEN THE COMBINATION | ||
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+ | ==== RADIO NOISE INTERFERENCES COLLECTIVE - JULIEN OTTAVI (2010) ==== | ||
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+ | {{cc1: | ||
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+ | Based on radio hacking devices, Radio Noise Interferences Collective extracts the essence of radio waves through unexpected revelations of their micro-activities. The combination of electricity and electromagnetic resonances, through the interaction of bodies and machinic connections, | ||
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+ | < | ||
+ | <iframe width=" | ||
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+ | {{:: | ||
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+ | **score / direction for the performers :** | ||
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+ | 1- Get a hacked radio device | ||
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+ | 2- Produce some radio interferences within the cloud of noise | ||
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+ | 3- Think of your body before sound | ||
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+ | 4- Play like you are the movement of radio waves | ||
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+ | < | ||
+ | <embed src=" | ||
+ | </ | ||
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+ | ==== RADIO TRANSARCHITECTURE | ||
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+ | === Radio art installation / performance - Tenderpixel gallery - London/UK - 2008 === | ||
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+ | **principle :** transform the street of the gallery into a radio transmission spiral. Every shops and every part of this ancient gallery & bookshop street mutate into radio waves generators, the people passing through became interferences to finally change resonant property of the transmissions. | ||
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+ | **performance / action (every 30min):** | ||
+ | walking in the streets performers called a number transfered to the radio transmitter. While the performers tell what going around them, eventually broadcast sounds from where they are, a program transform and mix the ensemble to be sent back to the street through radio waves. | ||
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+ | {{cc1: | ||
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+ | === Radio art installation - Arc & Senan/ | ||
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+ | {{cc1: | ||
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+ | Behind the scene, radio transmitters and receivers are playing together in a radio feedback system modulated by the hyper surveillance architecture. | ||
+ | The main principle of this installation was to reverse the panopticum situation (half circle centered surveillance) through airwaves and feedback changing the perspective of the viewer / listener moving around and escaping the surveillance, | ||
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+ | {{cc1: | ||
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+ | {{cc1: | ||
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+ | ==== N:Q - Nantes Radiophonic Quartet - (2006 - 2010) ==== | ||
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+ | Keith Rowe (radios & electronics) Manu Leduc (radios & electronics) Julien Ottavi (radios & electronics) Will Guthrie (radios & electronics) | ||
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+ | {{: | ||
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+ | The radio. Its possibilities and extensions. This is what (N:Q) explores: the use of the radio and its meanings. An electroacoustic ensemble, perpetually in movement, forging a soundworld of its own. Like airwaves transformed into music transformed into airwaves. | ||
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+ | {{: | ||
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+ | < | ||
+ | <iframe src=" | ||
+ | </ | ||
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+ | ==== MOBILE RADIOPHONIQUE DEVICE | ||
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+ | Radio action in combination with webradio transmission | ||
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+ | === Radio art action - Sound Camping / Radio performance and transmission Alpes - 2005 === | ||
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+ | < | ||
+ | <iframe width=" | ||
+ | </ | ||
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+ | === Radio art action - between New York City & Paris - 2005 === | ||
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+ | **Radio action come & back forward from Paris to NYC & vice versa (street action with radio receivers)** | ||
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+ | __NYC__ | ||
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+ | {{cc1: | ||
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+ | __Paris__ | ||
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+ | {{cc1: | ||
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+ | === Radio art action - Espace Bourogne - 2004 === | ||
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+ | **the studio in the tent / radio & threes** | ||
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+ | {{cc1: | ||
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+ | === Radio art action - Malakoff Garden - 2002 === | ||
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+ | **transmitters & receivers** | ||
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+ | {{cc1: | ||
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+ | === Live radio performance - Balinière Rezé 2001 (only airwaves) === | ||
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+ | {{cc1: | ||
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+ | ==== DigitalLiveRadioSession - DLRS - (2001 - 2003) ==== | ||
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+ | with Manu Leduc, John Morin and Christophe Havard | ||
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+ | < | ||
+ | <iframe src=" | ||
+ | </ | ||
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+ | Christophe Havard (radio, tape, motors, contact microphones, | ||
+ | Emmanuel Leduc (no input mixing board, radios feedback, sampler), John | ||
+ | Morin (turntables, | ||
+ | 2001 for an improvised set of electronic music. The result is | ||
+ | “DigitalLiveRadioSession? | ||
+ | over digital radio, but to the instruments used. With two radios and | ||
+ | the vocals and other such samples emitted from turntables and tape | ||
+ | player, an overall atmosphere of information and media permeates through | ||
+ | the static. Tinny, noisy tones, rather than severe, sub-frequency | ||
+ | glitches, consume the majority of the session. | ||
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+ | < | ||
+ | <iframe width=" | ||
+ | </ | ||
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+ | ==== JULIEN OTTAVI - RADIO PIECES - 1996 - MADE FOR RADIO WITH FOUND OBJECTS, TURNTABLES, RADIOS...ETC ==== | ||
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+ | < | ||
+ | <object width=" | ||
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+ | < | ||
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+ | </ | ||
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+ | [[http:// | ||